Produced by Portishead co-founder the musician-producer, this sharp-edged if undernourished debut feature casts a critical gaze on the ecstasy-fueled club scene. Venal pillhead David (the actor) initially steals from an passed-out supplier, then in a later recollection tries to break into his own parents. In no time, he's upside down in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the rave-era youth were mainly focused on themselves – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Poacher arrives, fuming after David strangles his dog. Nevertheless, a grimly amusing standoff unfolds – David desperate to escape; the Poacher withholding his jerrycan of cider, intent on soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
Just a single important plot development, but it results in a comically executed rampage on the forest trails that dips close to folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now goes all out with the full psychedelic grand display, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.
Game releases in British and Irish cinemas from 17 November.
